Microcosm.
Man is the measure of all things, as Protagoras proclaimed. Agnes paintings proportions are similar to the Vitruvian man - the width of the outstretched hands, the height of the human figure. This space, able to take the body, becomes a work of the mind to unlimited. Inspiration derived from nature becomes an excuse to travel deeper into himself, finding visual equivalents of emotions, expressed through color and painterly gesture. Abstract painting of a symbolic and conceptual foundation, we have to refer to a parallel reality - non-physical, but is present in all of us. The loss does not result in literal form of a lack of meaning - the meaning is obvious forms closed, waiting for our response. Agnes speaks to us in color. Sharp contrasts and delicate glazes foggy, gloss and matt - everything is carefully planned. Paradoxically, even the case, without which it is difficult to deliver part of a rigid framework of rationalism. Meanwhile, Sarah's painting is a meditation - the conclusion of the particles themselves, and so the particles of the world, on a piece of canvas. (Translated by Google).
